Mary Engelbreit Home Companion
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“In the 60’s, there was a taboo against ‘serious’ artists dabbling in crafts,” recalls Kaffe, who until age 28 mostly painted still lifes and portraits. A visit to a Scottish wool mill changed all that for this California-born ex-pat. Smitten with luscious skeins of yarn, he learned to knit. “My first thought was, ‘How can I make a living from this?’”
   Soon after, he began producing books that fairly vibrate with exuberant patterns for multiple needle arts, including quilting and patchwork. Wild success followed. He is, for example, the first living artist to have a one-man show at the Victoria and Albert Museum and has also designed sets and costumes for the Royal Shakespeare Company.

fan of Japan
No one ever accused Kaffe (rhymes with “safe”) of being a minimalist. (e) Textiles displayed in layers include a fan needlepoint, handpainted Japanese kimono, and “rice bowl” pop art quilt by Kaffe himself. (f) Embroidery patterns for sewing machines. (g) Swatches spark ideas for future collections. (h) Experimenting with colorways for his new “Verbena” pattern.

fruits of his labors
(i) “Planets” design is all about “playing with different scales of spots and dots.” (j) Prominently displayed near the entrance to his townhouse/studio, the Kaffe-designed, orchard-themed needlepoint wingchair was purely a labor of love, handstitched over a period of six months by four people. (k) Spontaneous brushstrokes of roses on the living room wall turned out so well, they inspired a fabric for the UK-based Designers Guild. Kaffe has licenses with Rowan Yarns, Dash & Albert, Pine Cone Hill, Westminster Fabrics, and Husqvarna Viking.

Reinventing themselves page 1 | 2 | 3
  Stumble It!
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