Mary Engelbreit Home Companion
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Don’t be fooled by the neat, almost minimalist, appearance of Jerry Pinkney's studio in a bucolic corner of Westchester County, New York. Behind closed cabinet doors are volumes upon volumes. African-American history books. A nature library. Art tomes. “Research is important to me,” he says. He reads up as much as possible on any given subject and also photographs live models in historic dress to capture facial expressions and body language.
   Jerry’s keen sense of observation actually began decades ago on the streets of Philadelphia where, as a junior-high student, he sold newspapers and sketched passersby. His drawings impressed Henry cartoonist John Liney, who encouraged him to pursue a career in art. “That was a new idea to me. He opened my eyes to the possibilities.”

talent for tales
(l) Jerry’s adaptation of Hans Christian Andersen’s The Little Match Girl (1999) is set in the early 20th century. Double-page watercolors are packed with rich, historically accurate detail. “Kids love the story, even though it’s sad.” (m) Scene from John Henry (1994), the story of an African-American folk hero. “It was a benchmark,” Jerry says, “the first book I initiated.”


animal instincts
(n) Jerry sketches from his nature books. “My work always starts with a form of reference, then crosses over into personality.” (o) As this page from 2006’s The Little Red Hen demonstrates, Jerry has a gift for capturing the physical details of animal anatomy. But he also adds a layer of quirky facial expressions.

watercolor worlds
(p) Created for the 30th anniversary of the Bologna Children’s Book Fair, this Secret Garden-themed poster marries paint and colored pencil. A real little girl served as model.

Reinventing themselves page 1 | 2 | 3
  Stumble It!
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