Mary Engelbreit Home Companion
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“My passion is designing very precious, very special books. The kind you pick up and examine page by page,” says Rita, thoughtfully pulling favorite volumes from her shelves. It’s hard to believe now, but she never intended to work in publishing.

In the early 1980s, (a) Rita Marshall was a graphic designer on the advertising fast track. “I convinced the creative director of my agency to fly me to Switzerland to work with this artist I admired, Etienne Delessert,” she recalls. Within days, she fell in love. Within weeks, she was living abroad and working for a French advertising agency. “It was crazy—flying all over, not understanding the French mindset,” she recalls. So when a publisher approached Etienne about developing a series of fairy-tale volumes, Rita happily shifted gears to illustrated books, mentoring talented artists like Monique Felix and Roberto Innocenti. Eventually, she even wrote her own title, the perennially popular I Hate to Read, and became creative director for the respected children’s publisher Creative Editions.




(b)
Rita has been exploring quilt making, with an emphasis on graphics and lettering. Her “CH” design (an abbreviation of Confederation Helvetica) is an interpretation of the Swiss flag. (c) Illustration by Monique Felix, one of Rita’s favorite artists, on the cover of the Creative Company catalog. Rita is at the visual helm of its specialty children’s book imprint, Creative Editions. (d) A catalog the artist designed for the 2002 opening exhibition of the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts. The show featured Maurice Sendak.

(e) Works by husband Etienne Delessert, outsider artist Michel Nedjar, and Yellow Submarine illustrator Heinz Edelmann hang in Rita’s inner sanctum. (f) She turns Midwestern feedbags into colorful quilts. (g) “7th Letter of the Alphabet” quilt is an homage to the typographical allure of the lowercase letter “g”. (h) The converted garage studio features an upstairs room for textile projects. (i) Her library shelves are packed with a retrospective of projects. (j) Envelopes and stamps from Europe decorate a corner of Rita’s desk.

Vision Quest page 1 | 2 | 3 | 4 | 5
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