Mary Engelbreit Home Companion
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A multitalented artist, Rebecca had a pretty good run as a still-life painter—until the 1987 stock market crash left her suddenly without patrons. So she switched to craftier pursuits like fabric painting and jewelry making. “At first, I didn’t think of ceramics,” she says. “Whenever I’d go to shows, I’d see pottery that was boring brown or gray and I’d think, ‘What is wrong with these people?’”
When a friend presented her with a yard-sale kiln, Rebecca couldn’t resist experimenting with color. “I ordered some clay and glazes and started playing around with a rolling pin. I had no idea what I was doing.” On a trip to a posh downtown boutique in New York City that stocked her hand-painted outfits, she unveiled her pottery and the buyer went wild. Soon after, she decided to focus all of her energy on ceramics.

(a) Studio stamp, which changes annually. (b) Brilliant color is an R. Wood Studio hallmark. (c) Rebecca with a wall of made-to-order unglazed terra- cotta dishware.

(d) Giant cookie cutters for slicing out shapes. (e) At an open house, stacks of plates juxtapose contrasting rims and color combinations for place settings. (f) Latte cup. (g) Glazing in progress.

When Passion Meets Promise page 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

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