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(g) Annie with the kids,
from left to right: Isabel,
9; Daniel, 11; and
William, 13. Reflecting their
heritage,
they’re holding Dutch
teacups.
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Annie Brahler had dragged a chandelier onto a plane in a garbage bag for the
very last time. For years, she’d tagged along on business trips abroad with
husband Richard, who owns a Holland-based tool business, in search of treasures
for their 1868, six-bedroom home in Jacksonville, Illinois. “One day, Richard
said, ‘You know, you could get a container for the house,’” recalls Annie,
referring to the professional practice of shipping goods in bulk. That was the
beginning of Euro Trash, a furnishings import business that sells to shops,
designers, and individuals. Now Annie takes her own business trips, as many
as eight annually. “Some of the things I bring back wouldn’t appeal to
everyone,” she admits (old moose horns are her latest obsession). “I never buy
for the market. I stay true to what I love.”
(a) In the front salon, cedar-boxwood garlands decorate a
fireplace surround
salvaged from a Chicago brownstone. The tallest
candles on the mantel are waist
high, which puts them in scale with the
15-foot ceilings.
(b) Bought for only
30 Euros (about 38
bucks), all the French
console needed was fresh paint. (c) For luxury on a budget, Annie
made inexpensive, tissue-thin silk
appear lush by interlining it with
double flannel.
“The Dutch revere children and animals—they’re welcome everywhere. That’s how we
live.” (d) Jack (on daybed) and Ralph unwind in the morning room.
(e) Chocolate initials are a traditional Dutch treat. (f) Vintage
Delftware ornaments decorate the tree.
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A sturdy car chugs slowly along a country road in the Belgian countryside,
its interior bulging with sundry cabinet parts, mirrors, light fixtures, and
compotes. It’s a typical Euro Trash buying trip, with Annie or her longtime
Dutch buddy Wendy Weper at the wheel, scouting out such unlikely locations as
chicken coops and construction sites across France, Belgium, and Holland. In
turn, Wendy often visits stateside, especially for the holidays. On one
memorable Christmas Eve, blizzard raging outside, she entertained the Brahler
kids with stories of the Dutch Santa, Sinterklaas, and his sidekick, Zwarte
Piet, who carries off bad children to work in a toy factory in Spain for a year.
“You should have seen their expressions!” says Annie, herself of Dutch descent.
“Especially when Wendy admitted that she’d once spent time at the toy factory
herself.”
(h) Button-back silk chairs in the dining room. The
carved-armoire-turned-china closet was pieced together from parts by Euro Trash
custom furniture designer Phil Black. (i) Fresh paperwhites mark each place
setting.
Throughout the house and grounds, a pale palette prevails. (j) Compotes full of white chocolate initials and gingerbread-like
pepernoten cookies, which are thrown during Dutch holiday parades. (k) Jingle
bell wreath by artist Cody Foster. (l) Vintage French tapestry purse. (m) The porch is decorated for the season with candles, which Annie lights
nightly.
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During the holidays and throughout the year, Isabel is on ornament-sorting duty.
Whenever Annie dusts off a charming decoration in a secondhand shop, it’s
Isabel’s job to place it in the proper tub according to color. “She really
understands the beauty of vintage,” Annie says. She tells a story of how one day
when Isabel was a preschooler driving along with Mom, she spotted a broken-down
chaise curbside and pointed out, “That’s a pretty chair.” Annie agreed and
stuffed it in the car, pleased to have an accomplice.
(s) Euro Trash designer Phil Black transformed a table with good lines into a pier
mirror in Isabel’s room (seen in reflection). (t) Tins and hatboxes
hold ponytail elastics and other girlish goodies. The window treatment was
fashioned from a bolt of linen from a fabric store. (u) Following in Mom’s
footsteps, Isabel studies classical ballet.
(v) Isabel’s bed once
belonged to Princess Lilian of Belgium. “It’s the only thing of provenance in my
home—I usually don’t care about pedigree,” Annie says. When she found it at a
European estate sale, it was painted a screaming yellow. Inspired by a friend,
designer Nancy Schultz, she redid it in creamy tones.
Unsuspecting visitors often assume Annie spent tons of money on furnishings. Her
response: a hearty laugh. “This style is available at any budget,” she
insists.
“Even if something is a 1950s reproduction of an 18th-century
piece, to me it’s
important art.”
Of course, there’s a knack to
putting it all together.
“Juxtaposition—that’s my design mantra. Cover
anything ornate or gold with
simple fabrics like linen. Pair an
outrageous chandelier with a farmhouse table.
Add asymmetry for drama.
Learn to use what’s around and make it work. Believe in
yourself, and
revel in the joy and freedom of self-expression.”
(w) In an
upstairs hallway, a mirror overlaps the
wainscoting. (x) A Victorian hand mirror with lithographed
back. (y) That sumptuous vanity in
the master bath is
really particleboard covered with fabric remnants. Formerly a
drab
brown, the cane chair got a coat of paint and cotton duck upholstery.
(z) A
glove box doubles as gift wrap.
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