Mary Engelbreit Home Companion
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Text by Tony DiMartino • Styling by Kathy Curotto

When it comes to adding character to a room, few elements carry as much weight as dark, lustrous wood. But sometimes it can be too much of a good thing.
   “Our master bedroom was starting to look a little gloomy and old-fashioned, so we wanted to update and open things up,” says Kathy Curotto, HOME COMPANION’s style editor.
   The room’s basic components stayed the same: a massive drying rack over the bed, two antique end tables, an oak dresser, an English cherry bureau, and a collection of tramp art and brass frames. Kathy added colorful artwork, cheery patterned pillows, and breezy curtains. Metal and ceramic accessories cooled the warmth of the wood, and woven carpet tiles, a quilted coverlet, and vintage slipcovers offered contrasting textures.
   “Really, all it took was a little fine-tuning,” Kathy says. “We didn’t even have to repaint the walls!”

NATURE'S WAY
(a) Clear colors, leafy patterns, and crisp textures bring the outdoors in. Fabric on large print pillows, Schumacher. (b) Artist Karin Eriksson decorated this ceramic vase with transfer applications and paint. (c) Soft fabric doves in a cage by Tamar Mogendorff hang over the bed. (d) Kathy chose this painting by Rana Rochet for its colors and free-flowing design.


WEIGHT REDUCTION
(e) A flighty sculpture by Nicole Fellous. “It’s painted zinc or tin. I’ve had it for a while—in fact, it may have inspired the room’s palette.” (f)Delicate hand-painted ceramic beakers by Anne Black. (g) A heavy oak piece like this mid-1800s Hudson Valley dresser can drain all the light from a room. Kathy kept the setting airy with linen curtains on vintage rings, a Victorian chair with a graceful metal back (one of a series that depicts the four seasons), and an artful arrangement of empty brass frames. “I took the glass and backs out—I like the look of the frames on their own.” (h) A tramp art frame from Austria surrounds an engraving found at an Italian street fair. “I tried matting it but it looked too blocky, so I puttied it to the wall.” (i) A trio of painted wooden sticks, probably from a 1930s schoolhouse, heightens visual interest in a corner.



(j) An antique English cherry bureau is topped by a wooden architectural model. A chair slipcovered in vintage matelesse offers a just-right spot for reading. Bird painting by Robert Adams. Pillow by Hable Construction. Carpet tiles by FLOR. (k) A beaded linen bin by Hable Construction slides under the bed for easy storage. (l) An extra-deep hem on the sheer curtains provides additional privacy. Curtain fabric by Robert Allen.

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